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It was the US number one hit that confirmed Guns N’ Roses as the greatest hard rock act of a generation, propelling debut album Appetite For Destruction to multi-platinum status. It was an interesting pattern and it was really melodic, but I don’t think I would have presented it to the band and said, ‘Hey, I’ve got this idea!’ because I just happened to come up with it while we were all hanging around together.Īnd while it was rumoured for years that lead guitarist Slash was dismissive of his own ultra-iconic opening riff, that’s not the whole story.Īs he told TG: “In passing, I did say that it was sort of a joke or something, but initially it was just a cool, neat little riff that I’d come up with. Izzy was the first one to start playing behind it, and once that happened Axl started making up words, and it took off that way.”Īs for the guitar Slash played, it could only ever have been a Les Paul – but perhaps not the Les Paul that you’d expect. “I was lucky even to have a guitar for the Appetite album,” he said. “Originally, when I got to the studio, I had somehow, in a fit of desperation, pawned most of my guitars, so all I had was a BC Rich Warlock and two Jacksons.

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I’d been playing those guitars live, and they sounded OK in a room full of people but when I actually went and heard them in the cans they sounded fuckin’ horrible!”įortunately, fate intervened in the form of GN’R manager Alan Niven. Slipknot psychosocial official music video hd vevo full# “Right before we went in to do the guitar overdubs, Alan gave me a handmade copy of a 1959 Les Paul made by a guy called Kris Derrig. He built a run of between fifty and a hundred immaculate ’59 reissues, and that was the guitar that I used for the whole record. What happens when alt-rock and advanced mathematics collide You could never tell that they weren’t Gibsons.” 34. The title track from Tool’s 2001 masterpiece perfectly demonstrates why they are the masters of time, using alternating metres to add pushes and pulls where least expected.

The song has ties to the Fibonacci sequence or ‘Golden Ratio’ found in sacred geometry, from singer Maynard James Keenan’s rhythmic syllables in the verses to the shifts in the signatures themselves.Īs guitarist Adam Jones explained to TG, the song’s main riff came from bassist Justin Chancellor via drummer Danny Carey.

“Justin brought in a riff, and Danny saw it had a connection to the Fibonacci, so he started trying to work in elements of it,” Jones said. “Then Maynard came in and we started telling him about the sequence.”įor a heavy song, a heavy subject. “It came from trying to relate to those things in life or nature we all have in common,” Jones elaborated. “It’s something that people have been studying since the beginning of time.

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That’s why we got more into the idea behind science, metaphysics and the myth of communication.”įor the recordings, Jones was using his 1979 Silverburst Gibson Les Paul Custom and an array of amps including his modded 1976 Marshall JMP Super Bass, a ‘blue face’ Diezel VH4, and a Sunn Beta Lead through Mesa/Boogie cabinets.Below result for MP3: Slipknot – The Chapeltown Rag – DownLoad on Morenaija.ng.

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